Royalties In The Music Business

What is a royalty? 
In the real world, the word royalty is synonymous with the power or rank of a king and queen. In the music world, the word royalty is synonymous with money. 

Royalties are the most important entitlements of the musician. These entitlements warrant them to receive money from their craft - the craft of MAKING MUSIC. 

Royalties 
There are many types of royalties. The list is constantly growing because of the new technology, but here are some to name a few: Artist Royalties, Mechanical (Publishing) Royalties, US Performance Royalties Synchronization Royalties, Grand Rights Royalties, Foreign Royalties for record sells and performances, Lyric Reprint Royalties

General definition 
Artist Royalties, in a nutshell, are monies paid to the recording artist from the record company. They are the share of the proceeds from the sale of the artist’s records paid directly to the artist after the artist records material for the record company. This, in turn, gives the record company permission to exploit the musical work in the marketplace. 

Recording contracts 
In artist recording contracts, artist royalties are usually negotiated in points. When record label business affairs attorneys use that terminology, they are referring to the percentage points the record company will pay an artist on each album sold. 

For example, if an artist gets 10 points, it usually means that the artist receives 10% of the retail cost of each record sold. 

1. Superstar Deals Royalties usually are: 
• 16%-20% of retail of top-line records plus escalations 
• 18-20% is quite high and the artist must sell a lot of records - usually more than 5 million 
• 100% CD rate and can receive new configuration royalties 
• 12-14% of singles + escalations receive increased royalties when contract options are exercised 

2. Mid-Level Deals Royalties usually are: 
• 14%-16% of retail top-line records plus escalations (escalations usually based on genre) 
• 16% is high and the artist must sell a lot of records 
• 85-90% CD rate and new configurations 
• 12-13% of singles or 3/4 of LP rate receives increased royalties when contract options are exercised 

3. New Artist Deals Royalties usually are: 
• 11%-13% of retail top-line records 
• 75-85% CD rate and new configurations
• 10-11% of singles 

When to renegotiate
If the artist sells a ton of records, the artist can usually re-negotiate with the record label and try to receive increased royalty rates. 

• Increase net royalty rates on remaining LPs in the contract increase rate for each successive LP include escalations for attaining sales plateaus 
• Receive the increase royalty rate on future sales of past LPs improve the royalty computations increase foreign rates, the CD rate, the new technology rate, licensing fees and free goods 
• Reduce the recoupment percentages 

Record royalty formula 
The record royalty formula is usually based upon a percentage of records that are sold. In using the formula, the record company looks to the retail price of the commercial top-line records and standard deductions that every record company takes from the gross income from the sales of those records. Some of the deductions are: recording costs of the records, packaging, returns and reserves, discounted military sales, video costs, tour support, promotional records and free goods. Please note: records on which royalties are paid are quite different from deductions from gross royalties.




by Joyce Sydnee Dollinger, Entertainment Lawyer 
© 2010 All Rights Reserved. Used By Permission